Canon Chord Progression
Eight chords from a Baroque ground bass that pop songwriters keep returning to: I–V–vi–iii–IV–I–IV–V.
Play them in C major — or pick another key
Canon progression in C major
The famous Baroque ground bass — eight chords that pop songs still borrow. 8 bars, then it loops.
Solo on the fretboard
Press play — or tap a chord above — to see its notes light up. Open the scale in the fretboard tool
Pick a progression
Canon progression in every key
| Key | Chords |
|---|---|
| C major | C – G – Am – Em – F – C – F – G |
| D♭ major | D♭ – A♭ – B♭m – Fm – G♭ – D♭ – G♭ – A♭ |
| D major | D – A – Bm – F♯m – G – D – G – A |
| E♭ major | E♭ – B♭ – Cm – Gm – A♭ – E♭ – A♭ – B♭ |
| E major | E – B – C♯m – G♯m – A – E – A – B |
| F major | F – C – Dm – Am – B♭ – F – B♭ – C |
| F♯ major | F♯ – C♯ – D♯m – A♯m – B – F♯ – B – C♯ |
| G major | G – D – Em – Bm – C – G – C – D |
| A♭ major | A♭ – E♭ – Fm – Cm – D♭ – A♭ – D♭ – E♭ |
| A major | A – E – F♯m – C♯m – D – A – D – E |
| B♭ major | B♭ – F – Gm – Dm – E♭ – B♭ – E♭ – F |
| B major | B – F♯ – G♯m – D♯m – E – B – E – F♯ |
The progression and its variations
Canon progression
I – V – vi – iii – IV – I – IV – VThe famous Baroque ground bass — eight chords that pop songs still borrow.
In C: C – G – Am – Em – F – C – F – G
In G: G – D – Em – Bm – C – G – C – DIn D: D – A – Bm – F♯m – G – D – G – A
Descending ballad
I – V – vi – V – IV – I – IV – VWalks gently down from I through vi to IV — the shape of many slow folk and singer-songwriter songs.
In C: C – G – Am – G – F – C – F – G
In G: G – D – Em – D – C – G – C – DIn D: D – A – Bm – A – G – D – G – A
Pop anthem
I – V – vi – IVThe most-used loop in modern pop — four chords that fit countless melodies.
In G: G – D – Em – CIn D: D – A – Bm – G
Wistful pop
I – iii – vi – IVTwo minor chords in the middle give a major key a nostalgic, looking-back feel.
In G: G – Bm – Em – CIn D: D – F♯m – Bm – G
Why they work
The chord roots alternate falling fourths and rising seconds (D down to A, up to B, down to F♯ …), and in the original piece the bass walks steadily down the scale beneath them — a pattern the ear can follow even without the melody.
The first four chords (I–V–vi–iii) are closely related to the pop anthem I–V–vi–IV, which is why so many pop songs sound like a quotation of it.