House Chord Progressions
House is built on short loops of rich chords — minor 7ths, 9ths and 11ths — played as short stabs on the off-beat while the kick drum keeps four to the floor.
Play them in C major — or pick another key
Deep house descent in C major
Four 7th chords stepping down the scale — the classic deep house and garage loop. 4 bars, then it loops.
Solo on the fretboard
Press play — or tap a chord above — to see its notes light up. Open the scale in the fretboard tool
Pick a progression
6 house progressions
Deep house descent
IVmaj7 – iii7 – ii7 – Imaj7Four 7th chords stepping down the scale — the classic deep house and garage loop.
In C: Fmaj7 – Em7 – Dm7 – Cmaj7
In G: Cmaj7 – Bm7 – Am7 – Gmaj7In D: Gmaj7 – F♯m7 – Em7 – Dmaj7
Sunset house
vi7 – IVmaj7 – Imaj7 – VThe pop loop in soft 7ths, played as off-beat stabs — warm, summery and danceable.
In G: Em7 – Cmaj7 – Gmaj7 – DIn D: Bm7 – Gmaj7 – Dmaj7 – A
Lounge house
Imaj9 (2 bars) – IVmaj9 (2 bars)Two major 9th chords — smooth, jazzy and relaxed, the sound of chill and lounge house.
In G: Gmaj9 – Cmaj9In D: Dmaj9 – Gmaj9
Dorian house
i7 (2 bars) – IV9 (2 bars)A minor 7th and a dominant 9th on the off-beat — warm, groovy and endlessly loopable.
In Em: Em7 – A9In Dm: Dm7 – G9
Minor 11 groove
i11 – VII – VImaj7 (2 bars)An airy minor 11th falling to VII and a major 7th VI — dark but open, made for late nights.
In Em: Em11 – D – Cmaj7In Dm: Dm11 – C – B♭maj7
Chord memory stabs
i7 – iii7 – iv7 – vi7The same minor 7th shape moved up and down — the parallel stabs of Detroit and deep house. The chords leave the key on purpose.
In Em: Em7 – Gm7 – Am7 – Cm7In Dm: Dm7 – Fm7 – Gm7 – B♭m7
Why they work
Because a house loop repeats for minutes, the chords themselves carry the mood: extended chords (9ths, 11ths) are full but soft, so they can repeat without getting tiring.
The rhythm matters as much as the harmony. Short chords on the 'and' between beats leave room for the kick on every beat — the player on this page uses that off-beat rhythm. Parallel 'chord memory' stabs, where one shape moves around, come from early Detroit and Chicago records.