Soul, R&B & Neo-Soul Chord Progressions
Soul and R&B take simple loops and dress them in rich chords — major 7ths, minor 9ths and sus4 dominants — for that smooth, warm sound.
Play them in C major — or pick another key
Sus resolution in C major
V7sus4 holds the tension, V7 releases it, then a lush major 9th — the classic soul and gospel ending. 4 bars, then it loops.
Solo on the fretboard
Press play — or tap a chord above — to see its notes light up. Open the scale in the fretboard tool
Pick a progression
13 soul & r&b progressions
Sus resolution
V7sus4 – V7 – Imaj9 (2 bars)V7sus4 holds the tension, V7 releases it, then a lush major 9th — the classic soul and gospel ending.
In G: D7sus4 – D7 – Gmaj9In D: A7sus4 – A7 – Dmaj9
Smooth R&B turnaround
Imaj7 – vi9 – ii9 – V7sus4Soft 9ths and a sus4 dominant that never quite lands — smooth and floating.
In C: Cmaj7 – Am9 – Dm9 – G7sus4
In G: Gmaj7 – Em9 – Am9 – D7sus4In D: Dmaj7 – Bm9 – Em9 – A7sus4
Gospel minor plagal
IVmaj7 – iv6 – Imaj7 (2 bars)IV turns into a minor 6th before coming home — the tear-jerking move in gospel and soul ballads.
In G: Cmaj7 – Cm6 – Gmaj7In D: Gmaj7 – Gm6 – Dmaj7
Funk vamp
I9 (2 bars) – IV9 (2 bars)Two dominant 9th chords — the bright, chunky groove of funk rhythm guitar.
In G: G9 – C9In D: D9 – G9
Motown loop
I – vi7 – IVmaj7 – V7The 50s loop with soul colours — a sunny, danceable feel.
In G: G – Em7 – Cmaj7 – D7In D: D – Bm7 – Gmaj7 – A7
ii–V vamp
ii9 (2 bars) – V13 (2 bars)Rocks between ii and V without resolving — the groove behind many soul and jazz-funk tunes.
In G: Am9 – D13In D: Em9 – A13
Dreamy maj7 vamp
Imaj7 (2 bars) – IVmaj7 (2 bars)Two soft major 7th chords rocking back and forth — the sound of lo-fi, neo-soul and bossa.
In G: Gmaj7 – Cmaj7In D: Dmaj7 – Gmaj7
Neo-soul loop
IVmaj7 – III7 – vi7 – v7 – I7A smooth, moody loop: III7 pulls to vi7, and the minor v7 and I7 lead back round to IV.
In C: Fmaj7 – E7 – Am7 – Gm7 – C7
In G: Cmaj7 – B7 – Em7 – Dm7 – G7In D: Gmaj7 – F♯7 – Bm7 – Am7 – D7
Soul climb
ii7 – iii7 – IVmaj7 – V7Four 7th chords climbing step by step — warm and smooth, common in soul and gospel.
In G: Am7 – Bm7 – Cmaj7 – D7In D: Em7 – F♯m7 – Gmaj7 – A7
Dorian groove
i7 (2 bars) – IV7 (2 bars)A minor key with a major IV — cool rather than sad, heard in funk, soul and jam bands.
In Em: Em7 – A7In Dm: Dm7 – G7
Minor R&B descent
i7 – VII – VImaj7 – V7♯9Walks down to a gritty V7♯9 — moody and dramatic, a slow-jam favourite.
In Em: Em7 – D – Cmaj7 – B7♯9In Dm: Dm7 – C – B♭maj7 – A7♯9
Neo-soul minor cycle
i9 – iv9 – VII9 – IIImaj7Minor 9ths into a dominant 9th and the relative major 7th — dark, warm and jazzy.
In Em: Em9 – Am9 – D9 – Gmaj7In Dm: Dm9 – Gm9 – C9 – Fmaj7
Minor 9 vamp
i9 (2 bars) – iv9 (2 bars)Two minor 9th chords, two bars each — the late-night R&B groove.
In Em: Em9 – Am9In Dm: Dm9 – Gm9
Why they work
Extended chords keep extra notes ringing — the 7th and the 9th — so neighbouring chords share more notes and glide into each other instead of jumping.
Gospel and soul love the minor iv (Fm6 in C) and the sus4 dominant: both hold back the resolution for a moment, which is where much of the emotion in these styles comes from.